Behind the fabric installation in OBJEKT lies the simple idea of ​​hoisting 20 meters of unbleached sheet canvas up from the ground in a simple (without tools) and formally interesting way. This takes advantage of the height of the exhibition space and the possibility of viewing the fabric from multiple positions due to the space's interposed floor deck. The fabric installation is the result of an interaction between BODY, NATURE sticks, FABRIC and exhibition SPACE over time, and the process of creation is directly visible in the exhibited fabric work, even though the process has ended and the body is no longer present. There is a performative element above the otherwise stationary fabric work, which also invites the viewer to engage in a dialogue with the work bodily by moving between the two floors of the exhibition space.

The exercises in the forest and the exhibited fabric installation can be considered a kind of tectonic study, as Iben and Katrine have worked formally with the joining of FABRIC, NATURE and BODY. They have investigated basic principles such as pull and pressure, slack and tension, the supporting and the carried, when they have, for example, hung themselves up in the fabric, pressed themselves and the fabric against tree trunks, pulled the fabric through the forest floor and tied themselves to trees. But they have also been preoccupied with the evocative stories that invariably arise when FABRIC, NATURE and BODY are brought into interaction.

OBJEKT is an exhibition space for experimental crafts and contemporary art in part of Mariko Wada's ceramics studio. Iben and Katrine's site-specific installation plays with the series of ceramic objects that Mariko has made in recent years, where various familiar shapes seem to be hidden under a piece of cloth. The works are on open shelves in the workshop, which is directly connected to the exhibition space. The photo documentation of the experiments in the forest is placed in one of the boxes of the work shelf.